Peter Orner’s Still No Word from You: Notes in the Margin Longlisted for PEN Award.

January 23, 2023

Peter Orner’s recent Still No Word from You: Notes in the Margin is something great, and something you want to keep coming back to again and again. Just yesterday, Peter was named among the long-list recipients of the  2023 PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY for this inspiring and unconventional memoir.

The PEN award specifically recognizes “seasoned writers whose collection of essays is an expansion on their corpus of work and preserves the distinguished art form of the essay.” Still No Word from You does all that and something more: It’s unique chain of essays and intimate stories link Peter’s lived and reading lives together in memory.

Check out these recent reviews of Still No Word from You in The Los Angeles TimesThe New York TimesKirkusand Literary Hub – where Peter discusses endings, memory, and writing against classification in an interview with Emma Cline.

You can also follow him directly on his Twitter, Facebook and Instagram feeds, and look for him on tour. For example: next week you can catch him live in San Francisco for a conversation with Daniel Gumbiner, editor of The Believer, and also at Book Passage in Corte Madera, CA with fellow novelist Tom Barbash.

Peter Orner

Peter Orner is the author of three novels: THE GOSSIP COLUMNIST’S DAUGHTER (2025) THE SECOND COMING OF MAVALA SHIKONGO (2006), and LOVE AND SHAME AND LOVE (2010), and three story collections: ESTHER STORIES (2001, 2013 with a foreword by Marilynne Robinson) LAST CAR OVER THE SAGAMORE BRIDGE (2013), and MAGGIE BROWN & OTHERS (2019). His essay collection/ memoir, AM I ALONE HERE?: NOTES ON READING TO LIVE AND LIVING TO READ (Catapult, 2016) was a finalist for the National Book Critics Circle Award. He followed it up with another collection of essays, STILL NO WORD FROM YOU (2023), which was finalist for both the the Vermont Book Award and PEN/Diamonstein-Spielvogel Award for the Art of the Essay.

Peter is a graduate of the University of Michigan, Northeastern University School of Law, and the University of Iowa Writers' Workshop. Peter is also a former member of the Bolinas, California Volunteer Fire Department in Bolinas, California and current member of the Norwich Fire Department, Norwich, Vermont. He holds the Professorship of English and Creative Writing at Dartmouth College, and lives with his family in Norwich.

Peter also regularly teaches on the fiction faculty at the Warren Wilson MFA Program for Writers at Warren Wilson College. For many years, Peter was a professor in the MFA Program at San Francisco State University where he also served as acting chair of the department. He's also taught at the University of Iowa Writers’ Workshop (Visiting Professor), Northwestern, the University of Montana (William Kittredge Visiting Writer, 2009), Washington University (Visiting Hurst Professor, 2008), Bard College (Bard Fiction Prize Fellowship, 2007), Miami University, and on the law faculty of Charles University in Prague.

Peter's fiction and non-fiction has appeared in the New York Times, the Atlantic Monthly, Granta, The Paris Review, The New Yorker, McSweeney’s, The Southern Review, Ploughshares and many other publications. Stories have been anthologized in Best American Stories and twice received a Pushcart Prize. Peter has been awarded the Rome Prize from the American Academy of Arts and Letters and the American Academy in Rome, a Guggenheim Fellowship, and a two-year Lannan Foundation Literary Fellowship. He's also received a California Book Award (LOVE AND SHAME AND LOVE), the Goldberg Prize for Jewish Writing (ESTHER STORIES) and has been a finalist for the Pen/ Hemingway Award ESTHER STORIES, the Los Angeles Times Book Award (THE SECOND COMING OF MAVALA SHIKONGO), and the Northern California Book Award (LAST CAR OVER THE SAGAMORE BRIDGE) . In 2017-2018, Peter was a Fulbright U.S. Scholar in Namibia where he taught at the University of Namibia. 

His work has been translated into French, Italian, German, Portuguese, Spanish, Arabic, Turkish, and Japanese.

Five Things I've Learned About

The Art of Re-Reading (and Re-Re-Reading)

View the archive of this two-hour class from Peter Orner and Yvette Benavides, and discover the Five Things They’ve Learned about the joys of returning to their favorite stories and short-story writers. They look at the works of three great masters, and at the ways that re-experiencing a familiar story shapes both the art we encounter and the art we create.

Peter Orner

Five Things I've Learned About

The Art of Re-Reading (and Re-Re-Reading)

View the archive of this two-hour class from Peter Orner and Yvette Benavides, and discover the Five Things They’ve Learned about the joys of returning to their favorite stories and short-story writers. They look at the works of three great masters, and at the ways that re-experiencing a familiar story shapes both the art we encounter and the art we create.

in conversation with Yvette Benavides

Five Things I've Learned About

Prose Momentum – in Five Great Paragraphs

View the archive of this two-hour class from celebrated novelist, essayist, short-story writer, and professor Peter Orner, and discover the Five Things He’s Learned about how great writers create remarkable movement and energy within a single paragraph – and how you can craft equally powerful building blocks within your own writing.

Peter Orner

Five Things I've Learned About

Prose Momentum – in Five Great Paragraphs

View the archive of this two-hour class from celebrated novelist, essayist, short-story writer, and professor Peter Orner, and discover the Five Things He’s Learned about how great writers create remarkable movement and energy within a single paragraph – and how you can craft equally powerful building blocks within your own writing.

Five Things I've Learned About

Writing (by Not Writing)

View the archive of this two-hour class from celebrated novelist, essayist, short-story writer, and professor Peter Orner and discover the Five Things He’s Learned about how worrying less, chilling out, and reveling (a little) in not writing makes all the difference and connects him to where stories really come from.

Peter Orner

Five Things I've Learned About

Writing (by Not Writing)

View the archive of this two-hour class from celebrated novelist, essayist, short-story writer, and professor Peter Orner and discover the Five Things He’s Learned about how worrying less, chilling out, and reveling (a little) in not writing makes all the difference and connects him to where stories really come from.

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