Join me in this live, 90-minute class and discover the five things I’ve learned about photos’ unique power to inform, to connect, and to document people’s lives.
I’ve been a freelance photojournalist for over ten years, focusing mainly on conflicts and their aftermath. I work regularly with magazines and newspapers in the US and Europe — Harper’s Magazine, Stern, Le Monde, The New York Times, The Washington Post, The Wall Street Journal, among others — and have exhibited my projects most recently at Prix Bayeux Festival for War Correspondents, and Visa Pour l’Image photojournalism festival.
Photography is a language and a craft that takes time to shape and develop. That can seem almost irrelevant now with social media platforms where images are shared in their billions every day. But photos with meaning, depth, and those that can create empathy, inform, and be a bridge between people still holds importance because they can often cut through the noise.
In this live 90-minute class, I will discuss my approach to photographing complex and difficult stories, why I believe they are still important in our image-saturated world, and also touch briefly on the practicalities of being out in the field. Ten years in a career can seem like a short amount of time, but much has changed – because of the intersectional advancements in tech, the Internet, and social media – in the sphere of journalism and photojournalism. I’ll talk a little bit about what compels me to continue doing this work despite the risks, and why it is necessary to be present on frontlines and on the periphery of conflicts and social issues.
We’ll also discuss how photo stories are researched and constructed with some behind-the-scenes look into the actual making of some pictures. I’ll deconstruct some images, before discussing how narrative, aesthetic, and the content of pictures are put into play, and the various ways in which they can be presented to provide context.
I very much hope you’ll join me.